Nigerian music would not have achieved its current global recognition without the foundation laid by Afrobeat legend, Fela Anikulapo-Kuti, singer Timaya has declared.
The dancehall and Afrobeats star said Fela’s influence went beyond Nigeria, describing him as a figure whose artistic contributions inspired generations of musicians and earned international recognition.
Timaya made the remarks during an appearance on the Afrobeats Intelligence podcast, where he reflected on the impact of the late music icon on Nigeria’s entertainment industry.
According to him, Fela’s pioneering work created a pathway that allowed Nigerian artistes to gain international attention.
“Without Fela, nobody would have known us and we wouldn’t be here singing music,” Timaya said.
The singer described Fela as a major source of inspiration, saying the Afrobeat pioneer’s influence extended across Africa and beyond.
“I call him Baba because he didn’t inspire only me and other Nigerians. Go to Cameroon, they honour his name like God. They even have a radio programme on weekends where they only play his music,” he added.
Timaya said Fela’s contribution to Nigerian music was so significant that he would never disrespect the late musician or members of his family.
“Fela is the greatest man I can’t ever in my life disrespect, nor his family,” he stated.
Fela Anikulapo-Kuti, who died in 1997, is widely recognised as the founder of the Afrobeat genre, a fusion of traditional African rhythms, jazz, funk and socially conscious lyrics. His music and activism have continued to influence contemporary Nigerian and global artistes.
Timaya’s comments come amid renewed public conversations about the legacy and influence of Nigerian music pioneers.
Afrobeats singer Tekno recently sparked debate after reaffirming his view that Fela is not his “king” of Nigerian music, saying he personally regards highlife legend Oliver De Coque as his greatest musical influence.
Speaking in an interview with Yanga FM Lagos, Tekno explained that his upbringing influenced his perspective, noting that he grew up in Kaduna and was more exposed to Oliver De Coque’s music.
“Fela is not and will never be my king [of music]. Oliver De Coque is the king for me,” Tekno said.
The differing views have renewed discussions among music enthusiasts about the contributions of Nigeria’s past legends and their influence on the country’s modern global music movement.
For Timaya, however, Fela’s place remains firmly established as one of the figures whose creativity helped shape the identity and international appeal of Nigerian music.
